Jump to content

Portal:India

From Wikipedia, the free encyclopedia
Parent portals : Geography / Asia / India
Portal topics
Activities
Culture
Geography
Health
History
Mathematics
Nature
People
Philosophy
Religion
Society
Technology
Random portal
Welcome to the
PORTAL

Introduction

Flag of India
Flag of India
Location on the world map
Location on the world map

India, officially the Republic of India, is a country in South Asia. As the seventh-largest country by area and the most populous country since June 2023, it is the world's most populous democracy since the time of its independence in 1947. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

  More about India ...

Featured article – show another

This is a Featured article, which represents some of the best content on English Wikipedia..
  • Image 1 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 2 Male in Serengeti National Park, Tanzania The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator; although some lions scavenge when opportunities occur and have been known to hunt humans, lions typically do not actively seek out and prey on humans. The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)

    Male in Serengeti National Park, Tanzania

    The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator; although some lions scavenge when opportunities occur and have been known to hunt humans, lions typically do not actively seek out and prey on humans.

    The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)
  • Image 3 Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles. Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)

    Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles.

    Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)
  • Image 4 Khan in 1991 Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art. Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)

    Khan in 1991

    Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art.

    Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)
  • Image 5 Ranaut in 2024 Kangna Amardeep Ranaut (pronounced [kəŋɡənaː raːɳoːʈʰ]; born 23 March 1986) is an Indian actress, filmmaker and politician serving as a Member of Parliament, Lok Sabha from Mandi since June 2024. Known for her portrayals of strong-willed, unconventional women in female-led Hindi films, she is the recipient of several awards, including four National Film Awards and five Filmfare Awards, and has featured six times in Forbes India's Celebrity 100 list. In 2020, the Government of India honoured her with the Padma Shri, the country's fourth-highest civilian award. At the age of sixteen, Ranaut briefly took up modelling before being trained under theatre director Arvind Gaur. She made her film debut in the 2006 thriller Gangster, for which she was awarded the Filmfare Award for Best Female Debut, and received praise for portraying emotionally intense characters in the dramas Woh Lamhe... (2006), Life in a... Metro (2007) and Fashion (2008). For the last of these, she won the National Film Award for Best Supporting Actress. She appeared in the commercially successful films Raaz: The Mystery Continues (2009) and Once Upon a Time in Mumbaai (2010) but was criticised for being typecast in neurotic roles. A comic role in Tanu Weds Manu (2011) was well-received, though this was followed by a series of brief, glamorous roles in films that failed to propel her career forward. (Full article...)

    Ranaut in 2024

    Kangna Amardeep Ranaut (pronounced [kəŋɡənaː raːɳoːʈʰ]; born 23 March 1986) is an Indian actress, filmmaker and politician serving as a Member of Parliament, Lok Sabha from Mandi since June 2024. Known for her portrayals of strong-willed, unconventional women in female-led Hindi films, she is the recipient of several awards, including four National Film Awards and five Filmfare Awards, and has featured six times in Forbes India's Celebrity 100 list. In 2020, the Government of India honoured her with the Padma Shri, the country's fourth-highest civilian award.

    At the age of sixteen, Ranaut briefly took up modelling before being trained under theatre director Arvind Gaur. She made her film debut in the 2006 thriller Gangster, for which she was awarded the Filmfare Award for Best Female Debut, and received praise for portraying emotionally intense characters in the dramas Woh Lamhe... (2006), Life in a... Metro (2007) and Fashion (2008). For the last of these, she won the National Film Award for Best Supporting Actress. She appeared in the commercially successful films Raaz: The Mystery Continues (2009) and Once Upon a Time in Mumbaai (2010) but was criticised for being typecast in neurotic roles. A comic role in Tanu Weds Manu (2011) was well-received, though this was followed by a series of brief, glamorous roles in films that failed to propel her career forward. (Full article...)
  • Image 6 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 7 Ahalya by Raja Ravi Varma (1848–1906) In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama. Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)

    Ahalya by Raja Ravi Varma (1848–1906)

    In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama.

    Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)
  • Image 8 Chopra Jonas in 2024 Priyanka Chopra Jonas (pronounced [pɾɪˈjəŋka ˈtʃoːpɽa]; née Chopra; born 18 July 1982) is an Indian actress and producer. The winner of the Miss World 2000 pageant, Chopra is one of India's highest-paid actresses and has received numerous accolades, including two National Film Awards and five Filmfare Awards. In 2016, the Government of India honoured her with the Padma Shri, and Time named her one of the 100 most influential people in the world. In the next two years, Forbes listed her among the World's 100 Most Powerful Women, and in 2022, she was named in the BBC 100 Women list. Chopra accepted offers to join the Indian film industry following her pageant wins. Her acting debut came in the Tamil film Thamizhan (2002), followed by her first Bollywood feature in The Hero: Love Story of a Spy (2003). She played the leading lady in the box-office hits Andaaz (2003) and Mujhse Shaadi Karogi (2004) and had her breakout role in the 2004 romantic thriller Aitraaz. Chopra established herself with starring roles in the top-grossing productions Krrish and Don (both 2006), and later reprised her role in their sequels. For playing a troubled model in the drama Fashion (2008), Chopra won a National Film Award and a Filmfare Award for Best Actress. Chopra gained further praise for portraying a range of characters in the films Kaminey (2009), 7 Khoon Maaf (2011), Barfi! (2012), Mary Kom (2014), Dil Dhadakne Do (2015) and Bajirao Mastani (2015). (Full article...)

    Chopra Jonas in 2024

    Priyanka Chopra Jonas (pronounced [pɾɪˈjəŋka ˈtʃoːpɽa]; née Chopra; born 18 July 1982) is an Indian actress and producer. The winner of the Miss World 2000 pageant, Chopra is one of India's highest-paid actresses and has received numerous accolades, including two National Film Awards and five Filmfare Awards. In 2016, the Government of India honoured her with the Padma Shri, and Time named her one of the 100 most influential people in the world. In the next two years, Forbes listed her among the World's 100 Most Powerful Women, and in 2022, she was named in the BBC 100 Women list.

    Chopra accepted offers to join the Indian film industry following her pageant wins. Her acting debut came in the Tamil film Thamizhan (2002), followed by her first Bollywood feature in The Hero: Love Story of a Spy (2003). She played the leading lady in the box-office hits Andaaz (2003) and Mujhse Shaadi Karogi (2004) and had her breakout role in the 2004 romantic thriller Aitraaz. Chopra established herself with starring roles in the top-grossing productions Krrish and Don (both 2006), and later reprised her role in their sequels. For playing a troubled model in the drama Fashion (2008), Chopra won a National Film Award and a Filmfare Award for Best Actress. Chopra gained further praise for portraying a range of characters in the films Kaminey (2009), 7 Khoon Maaf (2011), Barfi! (2012), Mary Kom (2014), Dil Dhadakne Do (2015) and Bajirao Mastani (2015). (Full article...)
  • Image 9 Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 10 Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai. Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
    Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai.

    Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
  • Image 11 Sorabji in 1917 Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion. Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)

    Sorabji in 1917

    Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion.

    Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)
  • Image 12 Bhatt at the 2022 Berlinale Alia Bhatt (/ˈɑːliə ˈbʌt/; born 15 March 1993) is a British actress of Indian descent who predominantly works in Hindi films. Known for her portrayals of women in challenging circumstances, she has received several accolades, including a National Film Award and six Filmfare Awards. She is one of India's highest-paid actresses. Time awarded her with the Time100 Impact Award in 2022 and named her one of the 100 most influential people in the world in 2024. Born into the Bhatt family, she is a daughter of filmmaker Mahesh Bhatt and actress Soni Razdan. After making her acting debut as a child in the 1999 thriller film Sangharsh, she played her first leading role in Karan Johar's teen film Student of the Year (2012). She won the Filmfare Critics Award for Best Actress for playing a kidnapping victim in the road drama Highway (2014) and went on to establish herself with starring roles in several romantic films produced by Johar's studio Dharma Productions. (Full article...)

    Bhatt at the 2022 Berlinale

    Alia Bhatt (/ˈɑːliə ˈbʌt/; born 15 March 1993) is a British actress of Indian descent who predominantly works in Hindi films. Known for her portrayals of women in challenging circumstances, she has received several accolades, including a National Film Award and six Filmfare Awards. She is one of India's highest-paid actresses. Time awarded her with the Time100 Impact Award in 2022 and named her one of the 100 most influential people in the world in 2024.

    Born into the Bhatt family, she is a daughter of filmmaker Mahesh Bhatt and actress Soni Razdan. After making her acting debut as a child in the 1999 thriller film Sangharsh, she played her first leading role in Karan Johar's teen film Student of the Year (2012). She won the Filmfare Critics Award for Best Actress for playing a kidnapping victim in the road drama Highway (2014) and went on to establish herself with starring roles in several romantic films produced by Johar's studio Dharma Productions. (Full article...)
  • Image 13 Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film. The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
    Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film.

    The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
  • Image 14 Andha Naal (pronounced [an̪da naːɭ] transl. That Day) is a 1954 Indian Tamil-language mystery-thriller film, produced by A. V. Meiyappan and directed by S. Balachander. It is the first film noir in Tamil cinema, and the first Tamil film to be made without songs, dance, or stunt sequences. Set in the milieu of World War II, the story is about the killing of a radio engineer Rajan (Sivaji Ganesan). The suspects are Rajan's wife Usha (Pandari Bai), the neighbour Chinnaiya Pillai (P. D. Sambandam), Rajan's brother Pattabi (T. K. Balachandran), Rajan's sister-in-law Hema (Menaka), and Rajan's mistress Ambujam (K. Sooryakala). Each one's account of the incident points to a new suspect. Balachander watched Akira Kurosawa's Rashomon (1950) at a film festival, was inspired by it and wrote a play in the same narrative style, but the script was rejected by All India Radio; Meiyappan later agreed to produce it as the film that would later be titled Andha Naal under AVM Productions. The screenplay was written by Javar Seetharaman, who also played a prominent role as an investigative officer in the film. The cinematography was handled by S. Maruti Rao, and the background score was composed by AVM's own music troupe, Saraswathy Stores Orchestra. The film was shorter than most contemporaneous Tamil films. It was the only film directed by Balachander for AVM. (Full article...)
    Andha Naal (pronounced [an̪da naːɭ] transl. That Day) is a 1954 Indian Tamil-language mystery-thriller film, produced by A. V. Meiyappan and directed by S. Balachander. It is the first film noir in Tamil cinema, and the first Tamil film to be made without songs, dance, or stunt sequences. Set in the milieu of World War II, the story is about the killing of a radio engineer Rajan (Sivaji Ganesan). The suspects are Rajan's wife Usha (Pandari Bai), the neighbour Chinnaiya Pillai (P. D. Sambandam), Rajan's brother Pattabi (T. K. Balachandran), Rajan's sister-in-law Hema (Menaka), and Rajan's mistress Ambujam (K. Sooryakala). Each one's account of the incident points to a new suspect.

    Balachander watched Akira Kurosawa's Rashomon (1950) at a film festival, was inspired by it and wrote a play in the same narrative style, but the script was rejected by All India Radio; Meiyappan later agreed to produce it as the film that would later be titled Andha Naal under AVM Productions. The screenplay was written by Javar Seetharaman, who also played a prominent role as an investigative officer in the film. The cinematography was handled by S. Maruti Rao, and the background score was composed by AVM's own music troupe, Saraswathy Stores Orchestra. The film was shorter than most contemporaneous Tamil films. It was the only film directed by Balachander for AVM. (Full article...)
  • Image 15 Collins on an 1899 postcard Arthur Edward Jeune Collins (18 August 1885 – 11 November 1914) was an English cricketer and soldier. He held, for 116 years, the record of highest score in cricket: as a 13-year-old schoolboy, he scored 628 not out over four afternoons in June 1899. Collins's record-making innings drew a large crowd and increasing media interest; spectators at the Old Cliftonian match being played nearby were drawn away to watch the junior school house cricket match in which Collins was playing. Despite this achievement, Collins never played first-class cricket. Collins's 628 not out stood as the record score until January 2016 when an Indian boy, Pranav Dhanawade, scored 1009 in a single innings. Collins joined the British Army in 1902 and studied at the Royal Military Academy, Woolwich, before becoming an officer in the Royal Engineers. He served in France during the First World War, where he was killed in action in 1914 during the First Battle of Ypres. Collins had been mentioned in despatches and also represented the Royal Military Academy at cricket and rugby union. (Full article...)

    Collins on an 1899 postcard

    Arthur Edward Jeune Collins (18 August 1885 – 11 November 1914) was an English cricketer and soldier. He held, for 116 years, the record of highest score in cricket: as a 13-year-old schoolboy, he scored 628 not out over four afternoons in June 1899. Collins's record-making innings drew a large crowd and increasing media interest; spectators at the Old Cliftonian match being played nearby were drawn away to watch the junior school house cricket match in which Collins was playing. Despite this achievement, Collins never played first-class cricket. Collins's 628 not out stood as the record score until January 2016 when an Indian boy, Pranav Dhanawade, scored 1009 in a single innings.

    Collins joined the British Army in 1902 and studied at the Royal Military Academy, Woolwich, before becoming an officer in the Royal Engineers. He served in France during the First World War, where he was killed in action in 1914 during the First Battle of Ypres. Collins had been mentioned in despatches and also represented the Royal Military Academy at cricket and rugby union. (Full article...)
  • Image 16 Basohli miniature, c. 1730. National Museum, New Delhi Ganesha (Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Lambodara and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)

    Basohli miniature, c. 1730. National Museum, New Delhi

    Ganesha (Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Lambodara and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India.

    Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)
  • Image 17 Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles. The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
    Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles.

    The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
  • Image 18 The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of Open and Women's tournaments, as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India. The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
    The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of Open and Women's tournaments, as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India.

    The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
  • Image 19 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 20 Darjeeling (/dɑːrˈdʒiːlɪŋ/, Bengali: [ˈdarˌdʒiliŋ], Nepali: [ˈdard͡ziliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days. In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)

    Darjeeling (/dɑːrˈdʒiːlɪŋ/, Bengali: [ˈdarˌdʒiliŋ], Nepali: [ˈdard͡ziliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days.

    In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)
  • Image 21 Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
    Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital

    Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
  • Image 22 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 23 Satellite image of the tropical storm on May 13 In May 2003, a tropical cyclone officially called Very Severe Cyclonic Storm BOB 01 produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day. In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)

    Satellite image of the tropical storm on May 13

    In May 2003, a tropical cyclone officially called Very Severe Cyclonic Storm BOB 01 produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day.

    In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)
  • Image 24 Greatest extent of the Western Chalukya Empire, 1121D The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada-speaking dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani. For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)

    Greatest extent of the Western Chalukya Empire, 1121D

    The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada-speaking dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani.

    For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)
  • Image 25 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
More featured articles

Selected pictures

This is a Featured list, which the Wikipedia community considers to be the best lists on English Wikipedia.
More featured lists

Good article – show another

This is a Good article, an article that meets a core set of high editorial standards.
  • Image 1 Kaushal in 2023 Vicky Kaushal (pronounced [ˈʋɪkːi ˈkɔːʃəl]; born 16 May 1988) is an Indian actor who works in Hindi films. He is the recipient of numerous accolades, including a National Film Award and three Filmfare Awards, and has appeared in Forbes India's Celebrity 100 list of 2019. After graduating with an engineering degree from Rajiv Gandhi Institute of Technology, Kaushal began his career by assisting Anurag Kashyap in the crime drama Gangs of Wasseypur (2012) and played minor roles in films. His first leading role was in the independent drama Masaan (2015), following which he starred in Kashyap's psychological thriller Raman Raghav 2.0 (2016). Kaushal gained wider recognition in 2018 with supporting roles in the top-grossing dramas Raazi and Sanju, winning the Filmfare Award for Best Supporting Actor for the latter. (Full article...)

    Kaushal in 2023

    Vicky Kaushal (pronounced [ˈʋɪkːi ˈkɔːʃəl]; born 16 May 1988) is an Indian actor who works in Hindi films. He is the recipient of numerous accolades, including a National Film Award and three Filmfare Awards, and has appeared in Forbes India's Celebrity 100 list of 2019.

    After graduating with an engineering degree from Rajiv Gandhi Institute of Technology, Kaushal began his career by assisting Anurag Kashyap in the crime drama Gangs of Wasseypur (2012) and played minor roles in films. His first leading role was in the independent drama Masaan (2015), following which he starred in Kashyap's psychological thriller Raman Raghav 2.0 (2016). Kaushal gained wider recognition in 2018 with supporting roles in the top-grossing dramas Raazi and Sanju, winning the Filmfare Award for Best Supporting Actor for the latter. (Full article...)
  • Image 2 Satellite image of the storm near landfall The 1995 India cyclone was a tropical cyclone that struck southeastern India which later spawned a rare snowstorm in Nepal, triggering the deadliest mountain trekking incident in the country's history in November 1995. The storm originated from the monsoon trough on November 7 in the Bay of Bengal, east of India, becoming the penultimate storm of the 1995 North Indian Ocean cyclone season. Moving northwestward, the system gradually intensified while moving toward land, eventually developing an eye in the middle of the convection. Reaching peak winds of at least 120 km/h (75 mph), the India Meteorological Department (IMD) classified the system as a very severe cyclonic storm on November 8, in line with intensity estimates from the American-based Joint Typhoon Warning Center (JTWC). On November 9, the cyclone made landfall near the border of Andhra Pradesh and Orissa. A typical for most November storms, the system continued to the north and dissipated over Nepal on November 11. In India, the cyclone's strong winds were accompanied by heavy rainfall and a storm surge of 1.5 m (4.9 ft) that inundated the coastline several hundred feet inland. Power lines, crops, and houses were damaged, and many boats were damaged, causing several nautical fatalities. The cyclone killed at least 128 people in India, with hundreds remaining unaccounted for, and damage was estimated at RS$1.1 billion (US$32.2 million). In neighboring Bangladesh, high waves killed 45 people after sinking or sweeping away four ships. The cyclone later spawned a rare November snowstorm across eastern Nepal, with depths reaching 2,000 mm (79 in). The snowfall occurred without warning amid the busy mountain trekking season, and there were several avalanches and landslides across the country. One such incident killed 24 people at a lodge near Gokyo, and there were 63 deaths related to the cyclone in the country. The Nepal government launched the largest search and rescue mission in the country's history, rescuing 450 people, some of whom trapped for days in the snow. (Full article...)

    Satellite image of the storm near landfall

    The 1995 India cyclone was a tropical cyclone that struck southeastern India which later spawned a rare snowstorm in Nepal, triggering the deadliest mountain trekking incident in the country's history in November 1995. The storm originated from the monsoon trough on November 7 in the Bay of Bengal, east of India, becoming the penultimate storm of the 1995 North Indian Ocean cyclone season. Moving northwestward, the system gradually intensified while moving toward land, eventually developing an eye in the middle of the convection. Reaching peak winds of at least 120 km/h (75 mph), the India Meteorological Department (IMD) classified the system as a very severe cyclonic storm on November 8, in line with intensity estimates from the American-based Joint Typhoon Warning Center (JTWC). On November 9, the cyclone made landfall near the border of Andhra Pradesh and Orissa. A typical for most November storms, the system continued to the north and dissipated over Nepal on November 11.

    In India, the cyclone's strong winds were accompanied by heavy rainfall and a storm surge of 1.5 m (4.9 ft) that inundated the coastline several hundred feet inland. Power lines, crops, and houses were damaged, and many boats were damaged, causing several nautical fatalities. The cyclone killed at least 128 people in India, with hundreds remaining unaccounted for, and damage was estimated at RS$1.1 billion (US$32.2 million). In neighboring Bangladesh, high waves killed 45 people after sinking or sweeping away four ships. The cyclone later spawned a rare November snowstorm across eastern Nepal, with depths reaching 2,000 mm (79 in). The snowfall occurred without warning amid the busy mountain trekking season, and there were several avalanches and landslides across the country. One such incident killed 24 people at a lodge near Gokyo, and there were 63 deaths related to the cyclone in the country. The Nepal government launched the largest search and rescue mission in the country's history, rescuing 450 people, some of whom trapped for days in the snow. (Full article...)
  • Image 3 1990 Andhra Pradesh cyclone The 1990 Andhra Pradesh cyclone was the worst disaster to affect Southern India since the 1977 Andhra Pradesh cyclone. The system was first noted as a depression on 4 May 1990, while it was located over the Bay of Bengal about 600 km (375 mi) to the southeast of Chennai, India. During the next day the depression intensified into a cyclonic storm and started to intensify rapidly, becoming a super cyclonic storm early on 8 May. The cyclone weakened slightly before it made landfall on India about 300 km (190 mi) to the north of Madras in the Andhra Pradesh state as a very severe cyclonic storm with winds of 165 km/h (105 mph). While over land the cyclone gradually dissipated. The cyclone had a severe impact on India, with over 967 people reported to have been killed. Over 100,000 animals also died in the cyclone with the total cost of damages to crops estimated at over $600 million (1990 USD). (Full article...)

    1990 Andhra Pradesh cyclone

    The 1990 Andhra Pradesh cyclone was the worst disaster to affect Southern India since the 1977 Andhra Pradesh cyclone. The system was first noted as a depression on 4 May 1990, while it was located over the Bay of Bengal about 600 km (375 mi) to the southeast of Chennai, India. During the next day the depression intensified into a cyclonic storm and started to intensify rapidly, becoming a super cyclonic storm early on 8 May. The cyclone weakened slightly before it made landfall on India about 300 km (190 mi) to the north of Madras in the Andhra Pradesh state as a very severe cyclonic storm with winds of 165 km/h (105 mph). While over land the cyclone gradually dissipated. The cyclone had a severe impact on India, with over 967 people reported to have been killed. Over 100,000 animals also died in the cyclone with the total cost of damages to crops estimated at over $600 million (1990 USD). (Full article...)
  • Image 4 Skyline of Central Business District Bangalore (/ˈbæŋɡəlɔːr, ˌbæŋɡəˈlɔːr/ BANG-gə-lor, -⁠LOR), officially Bengaluru (Kannada: [ˈbeŋɡɐɭuːɾu] ⓘ; ISO: Beṁgaḷūru), is the capital and largest city of the southern Indian state of Karnataka. It has a population of more than 8 million and a metropolitan population of around 15 million, making it India's third most populous city and fourth most populous urban agglomeration. It is the most populous city and largest urban agglomeration in South India, and is the 27th largest city in the world. Located on the Deccan Plateau, at a height of over 900 m (3,000 ft) above sea level, Bangalore has a pleasant climate throughout the year, with its parks and green spaces earning it the reputation of India's "Garden City". Its elevation is the highest of India's major cities. The city's history dates back to around 890, as per the old Kannada stone inscription found at the Nageshwara Temple in Begur, Bangalore. In 1537, Kempé Gowdā, a feudal ruler under the Vijayanagara Empire, established a mud fort, considered the foundation of modern Bangalore and its oldest areas, or pétés, which still exist. After the fall of the Vijayanagara Empire, Kempe Gowda declared independence; in 1638, a large Adil Shahi Bijapur army defeated Kempe Gowda III, and Bangalore came under Shahaji Bhonsle as a jagir, which later became his capital. The Mughals later captured Bangalore and sold it to Maharaja Devaraja Wodeyar II of the Kingdom of Mysore. When Haider Ali seized control of the kingdom, Bangalore's administration passed into his hands. (Full article...)

    Skyline of Central Business District

    Bangalore (/ˈbæŋɡəlɔːr, ˌbæŋɡəˈlɔːr/ BANG-gə-lor, -⁠LOR), officially Bengaluru (Kannada: [ˈbeŋɡɐɭuːɾu] ⓘ; ISO: Beṁgaḷūru), is the capital and largest city of the southern Indian state of Karnataka. It has a population of more than 8 million and a metropolitan population of around 15 million, making it India's third most populous city and fourth most populous urban agglomeration. It is the most populous city and largest urban agglomeration in South India, and is the 27th largest city in the world. Located on the Deccan Plateau, at a height of over 900 m (3,000 ft) above sea level, Bangalore has a pleasant climate throughout the year, with its parks and green spaces earning it the reputation of India's "Garden City". Its elevation is the highest of India's major cities.

    The city's history dates back to around 890, as per the old Kannada stone inscription found at the Nageshwara Temple in Begur, Bangalore. In 1537, Kempé Gowdā, a feudal ruler under the Vijayanagara Empire, established a mud fort, considered the foundation of modern Bangalore and its oldest areas, or pétés, which still exist. After the fall of the Vijayanagara Empire, Kempe Gowda declared independence; in 1638, a large Adil Shahi Bijapur army defeated Kempe Gowda III, and Bangalore came under Shahaji Bhonsle as a jagir, which later became his capital. The Mughals later captured Bangalore and sold it to Maharaja Devaraja Wodeyar II of the Kingdom of Mysore. When Haider Ali seized control of the kingdom, Bangalore's administration passed into his hands. (Full article...)
  • Image 5 A. R. Rahman: The Musical Storm is a biography of the Indian music composer A. R. Rahman by the journalist Kamini Mathai. The book was released on 18 June 2009 by Penguin Books' subsidiary Viking Press and became a commercial success. Consisting of thirteen chapters, it describes Rahman's birth in Madras (present-day Chennai) in 1967, his 27-year-long musical career, and his marriage in 1995 to Saira Banu, with whom he has three children. Mathai was appointed by Penguin Books in early 2003 to write a biography on Rahman. In March the same year, she started contacting him through e-mails. He responded nearly one year later, and their first meeting happened the following six and seven months. In her writing process, she also met nearly other 100 people, including his family members and his colleagues. Critical reception of the book was mostly positive, with Mathai's writing and its contents getting the most attention. (Full article...)
    A. R. Rahman: The Musical Storm is a biography of the Indian music composer A. R. Rahman by the journalist Kamini Mathai. The book was released on 18 June 2009 by Penguin Books' subsidiary Viking Press and became a commercial success. Consisting of thirteen chapters, it describes Rahman's birth in Madras (present-day Chennai) in 1967, his 27-year-long musical career, and his marriage in 1995 to Saira Banu, with whom he has three children.

    Mathai was appointed by Penguin Books in early 2003 to write a biography on Rahman. In March the same year, she started contacting him through e-mails. He responded nearly one year later, and their first meeting happened the following six and seven months. In her writing process, she also met nearly other 100 people, including his family members and his colleagues. Critical reception of the book was mostly positive, with Mathai's writing and its contents getting the most attention. (Full article...)
  • Image 6 Maharaj Kumar Hitendra Singh Narayan (1 July 1890 – 7 November 1920), commonly anglicised as Prince Hitendra Narayan, played first-class cricket for Somerset in 1909 and 1910. He later played in first-class matches for teams brought together by his brother, the Maharaja of Cooch Behar. Known variously in his cricket career as "Kumar Narayan" or "Hitendra Narayan", he was educated at Eton College and Cambridge University and was a forceful right-handed batsman. His four first-class matches for Somerset in 1909 and 1910 were not successful, with a top score of just 16 in his first game, against the 1909 Australians. In 1918, he played three matches for his brother's scratch side against teams composed largely of expatriate Englishmen. The matches have first-class status although all three were of only two-days' duration; Narayan was not successful in any of them as a batsman. (Full article...)
    Maharaj Kumar Hitendra Singh Narayan (1 July 1890 – 7 November 1920), commonly anglicised as Prince Hitendra Narayan, played first-class cricket for Somerset in 1909 and 1910. He later played in first-class matches for teams brought together by his brother, the Maharaja of Cooch Behar.

    Known variously in his cricket career as "Kumar Narayan" or "Hitendra Narayan", he was educated at Eton College and Cambridge University and was a forceful right-handed batsman. His four first-class matches for Somerset in 1909 and 1910 were not successful, with a top score of just 16 in his first game, against the 1909 Australians. In 1918, he played three matches for his brother's scratch side against teams composed largely of expatriate Englishmen. The matches have first-class status although all three were of only two-days' duration; Narayan was not successful in any of them as a batsman. (Full article...)
  • Image 7 Ugly is a 2013 Indian Hindi-language thriller film written, co-produced and directed by Anurag Kashyap. Jointly produced by Phantom Films and DAR Motion Pictures, the film stars Rahul Bhat, Ronit Roy, Tejaswini Kolhapure, Vineet Kumar Singh, Girish Kulkarni, Surveen Chawla and Anshika Shrivastava in the lead roles. It also features TV actor Abir Goswami in his last film appearance before his death in 2013. Told in the course of a week, Ugly follows the story of a struggling actor Rahul Varshney (Bhat), whose daughter Kali (Shrivastava) disappears, and the events that follow. Kashyap had the idea for the film since 2006 and started writing the script after talking to one of his friends, who was in the Special Task Force, Lucknow, about kidnapping cases. He chose actors who could connect with the characters in the film. The film's background score and music were composed by Brian McOmber and G. V. Prakash Kumar respectively, while Gaurav Solanki wrote the lyrics. Nikos Andritsakis served as the film's cinematographer and Aarti Bajaj was its editor. (Full article...)
    Ugly is a 2013 Indian Hindi-language thriller film written, co-produced and directed by Anurag Kashyap. Jointly produced by Phantom Films and DAR Motion Pictures, the film stars Rahul Bhat, Ronit Roy, Tejaswini Kolhapure, Vineet Kumar Singh, Girish Kulkarni, Surveen Chawla and Anshika Shrivastava in the lead roles. It also features TV actor Abir Goswami in his last film appearance before his death in 2013. Told in the course of a week, Ugly follows the story of a struggling actor Rahul Varshney (Bhat), whose daughter Kali (Shrivastava) disappears, and the events that follow.

    Kashyap had the idea for the film since 2006 and started writing the script after talking to one of his friends, who was in the Special Task Force, Lucknow, about kidnapping cases. He chose actors who could connect with the characters in the film. The film's background score and music were composed by Brian McOmber and G. V. Prakash Kumar respectively, while Gaurav Solanki wrote the lyrics. Nikos Andritsakis served as the film's cinematographer and Aarti Bajaj was its editor. (Full article...)
  • Image 8 Magadheera (lit. 'The Heroic Man') is a 2009 Indian Telugu-language romantic fantasy action film co-written & directed by S. S. Rajamouli from a story written by V. Vijayendra Prasad & dialogues written by M. Rathnam. The film is produced by Allu Aravind and B. V. S. N. Prasad under Geetha Arts. The film stars Ram Charan, Kajal Aggarwal, Dev Gill, and Srihari. It is themed on reincarnation and eternal love. Made on a budget of ₹35–44 crore (US$7–10 million), Magadheera was the most expensive Telugu film at that time. The film's production began on 2 March 2008 while principal photography commenced on 19 March 2008. The soundtrack was composed by M. M. Keeravani while the cinematography was done by K. K. Senthil Kumar. The action sequences were choreographed by Peter Hein and the duo of Ram–Lakshman. It was the first Telugu film to list a "visual effects producer" in its credits. (Full article...)
    Magadheera (lit. 'The Heroic Man') is a 2009 Indian Telugu-language romantic fantasy action film co-written & directed by S. S. Rajamouli from a story written by V. Vijayendra Prasad & dialogues written by M. Rathnam. The film is produced by Allu Aravind and B. V. S. N. Prasad under Geetha Arts. The film stars Ram Charan, Kajal Aggarwal, Dev Gill, and Srihari. It is themed on reincarnation and eternal love.

    Made on a budget of ₹35–44 crore (US$7–10 million), Magadheera was the most expensive Telugu film at that time. The film's production began on 2 March 2008 while principal photography commenced on 19 March 2008. The soundtrack was composed by M. M. Keeravani while the cinematography was done by K. K. Senthil Kumar. The action sequences were choreographed by Peter Hein and the duo of Ram–Lakshman. It was the first Telugu film to list a "visual effects producer" in its credits. (Full article...)
  • Image 9 Aashiqui 2 (transl. Romance 2) is a 2013 Indian Hindi-language romantic musical drama film directed by Mohit Suri and produced by Mukesh Bhatt, Mahesh Bhatt, Bhushan Kumar and Krishan Kumar under the Vishesh Films and T-Series Films, with Mahesh Bhatt also serving as presenter. A spiritual successor to the 1990 musical film Aashiqui, the film stars Aditya Roy Kapur and Shraddha Kapoor in the lead roles, with Shaad Randhawa and Mahesh Thakur in supporting roles, as well as Salil Acharya in a cameo appearance. Set in the early 2010s, the film centers on a turbulent romantic relationship between a failing singer, Rahul Jaykar, and his protege, aspiring singer Aarohi Keshav Shirke, which is affected by Rahul's issues with alcohol abuse and temperament. It is an adaptation of both the original 1937 version and the 1976 remake of A Star is Born films. There were initially several concerns in the Indian media that it could not live up to the high standards and success of the original. Production of the film began in 2011, with the principal photography taking place in Cape Town, Goa and Mumbai on a budget of ₹18 crore (US$2.2 million). (Full article...)
    Aashiqui 2 (transl. Romance 2) is a 2013 Indian Hindi-language romantic musical drama film directed by Mohit Suri and produced by Mukesh Bhatt, Mahesh Bhatt, Bhushan Kumar and Krishan Kumar under the Vishesh Films and T-Series Films, with Mahesh Bhatt also serving as presenter. A spiritual successor to the 1990 musical film Aashiqui, the film stars Aditya Roy Kapur and Shraddha Kapoor in the lead roles, with Shaad Randhawa and Mahesh Thakur in supporting roles, as well as Salil Acharya in a cameo appearance. Set in the early 2010s, the film centers on a turbulent romantic relationship between a failing singer, Rahul Jaykar, and his protege, aspiring singer Aarohi Keshav Shirke, which is affected by Rahul's issues with alcohol abuse and temperament.

    It is an adaptation of both the original 1937 version and the 1976 remake of A Star is Born films. There were initially several concerns in the Indian media that it could not live up to the high standards and success of the original. Production of the film began in 2011, with the principal photography taking place in Cape Town, Goa and Mumbai on a budget of ₹18 crore (US$2.2 million). (Full article...)
  • Image 10 A. a. antigone from India with the distinct white "collar" The sarus crane (Antigone antigone) is a large nonmigratory crane found in parts of the Indian subcontinent, Southeast Asia, and northern Australia. The tallest of the flying birds, standing at a height of up to 1.8 m (5 ft 11 in), they are a conspicuous species of open wetlands in South Asia, seasonally flooded Dipterocarpus forests in Southeast Asia, and Eucalyptus-dominated woodlands and grasslands in Australia. The sarus crane is easily distinguished from other cranes in the region by its overall grey colour and the contrasting red head and upper neck. They forage on marshes and shallow wetlands for roots, tubers, insects, crustaceans, and small vertebrate prey. Like other cranes, they form long-lasting pair bonds and maintain territories within which they perform territorial and courtship displays that include loud trumpeting, leaps, and dance-like movements. In India, they are considered symbols of marital fidelity, believed to mate for life and pine the loss of their mates, even to the point of starving to death. (Full article...)

    A. a. antigone from India with the distinct white "collar"

    The sarus crane (Antigone antigone) is a large nonmigratory crane found in parts of the Indian subcontinent, Southeast Asia, and northern Australia. The tallest of the flying birds, standing at a height of up to 1.8 m (5 ft 11 in), they are a conspicuous species of open wetlands in South Asia, seasonally flooded Dipterocarpus forests in Southeast Asia, and Eucalyptus-dominated woodlands and grasslands in Australia.

    The sarus crane is easily distinguished from other cranes in the region by its overall grey colour and the contrasting red head and upper neck. They forage on marshes and shallow wetlands for roots, tubers, insects, crustaceans, and small vertebrate prey. Like other cranes, they form long-lasting pair bonds and maintain territories within which they perform territorial and courtship displays that include loud trumpeting, leaps, and dance-like movements. In India, they are considered symbols of marital fidelity, believed to mate for life and pine the loss of their mates, even to the point of starving to death. (Full article...)
  • Image 11 Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F) Enhydriodon is an extinct genus of mustelids known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae. Enhydriodon means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives. The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)

    Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F)

    Enhydriodon is an extinct genus of mustelids known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae. Enhydriodon means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives.

    The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)
  • Image 12 Server Sundaram is a 1964 Indian Tamil-language comedy drama film directed by Krishnan–Panju and produced by A. V. Meiyappan. The film stars Nagesh as the title character. Muthuraman and K. R. Vijaya play the other lead roles while Major Sundarrajan, S. N. Lakshmi and Manorama play supporting roles. It focuses on a hotel waiter who strives to reach greater heights after he becomes an actor to attain the love of his restaurateur's daughter. The film was adapted from a 1963 play of the same name written by K. Balachander, with the play also featuring Nagesh himself in the title role along with Sundarrajan and Lakshmi who reprised their roles in the film. Balachander also wrote the screenplay for the film. Viswanathan–Ramamoorthy composed the film's soundtrack and background music, while Kannadasan, Vaali and V. Seetharaman wrote the lyrics for the soundtrack's songs. (Full article...)
    Server Sundaram is a 1964 Indian Tamil-language comedy drama film directed by Krishnan–Panju and produced by A. V. Meiyappan. The film stars Nagesh as the title character. Muthuraman and K. R. Vijaya play the other lead roles while Major Sundarrajan, S. N. Lakshmi and Manorama play supporting roles. It focuses on a hotel waiter who strives to reach greater heights after he becomes an actor to attain the love of his restaurateur's daughter.

    The film was adapted from a 1963 play of the same name written by K. Balachander, with the play also featuring Nagesh himself in the title role along with Sundarrajan and Lakshmi who reprised their roles in the film. Balachander also wrote the screenplay for the film. Viswanathan–Ramamoorthy composed the film's soundtrack and background music, while Kannadasan, Vaali and V. Seetharaman wrote the lyrics for the soundtrack's songs. (Full article...)
  • Image 13 19th–century photo of Babri Masjid The demolition of the Babri Masjid was carried out on 6 December 1992 by a large group of activists of the Vishva Hindu Parishad and allied organisations. The 16th-century Babri Masjid in the city of Ayodhya, in Uttar Pradesh, India, had been the subject of a lengthy socio-political dispute, and was targeted after a political rally organised by Hindu nationalist organisations turned violent. In Hindu tradition, the city of Ayodhya is the birthplace of Rama. In the 16th century a Mughal commander, Mir Baqi, had built a mosque, known as the Babri Masjid at a site identified by some Hindus as Ram Janmabhoomi, or the birthplace of Rama. The Archaeological Survey of India states that the mosque was built on land where a non-Islamic structure had previously existed. In the 1980s, the Vishva Hindu Parishad (VHP) began a campaign for the construction of a temple dedicated to Rama at the site, with the Bharatiya Janata Party (BJP) as its political voice. Several rallies and marches were held as a part of this movement, including the Ram Rath Yatra led by L. K. Advani. (Full article...)

    19th–century photo of Babri Masjid

    The demolition of the Babri Masjid was carried out on 6 December 1992 by a large group of activists of the Vishva Hindu Parishad and allied organisations. The 16th-century Babri Masjid in the city of Ayodhya, in Uttar Pradesh, India, had been the subject of a lengthy socio-political dispute, and was targeted after a political rally organised by Hindu nationalist organisations turned violent.

    In Hindu tradition, the city of Ayodhya is the birthplace of Rama. In the 16th century a Mughal commander, Mir Baqi, had built a mosque, known as the Babri Masjid at a site identified by some Hindus as Ram Janmabhoomi, or the birthplace of Rama. The Archaeological Survey of India states that the mosque was built on land where a non-Islamic structure had previously existed. In the 1980s, the Vishva Hindu Parishad (VHP) began a campaign for the construction of a temple dedicated to Rama at the site, with the Bharatiya Janata Party (BJP) as its political voice. Several rallies and marches were held as a part of this movement, including the Ram Rath Yatra led by L. K. Advani. (Full article...)
  • Image 14 Vishnudevananda Saraswati (31 December 1927 – 9 November 1993, birth name Kuttan Nair) was an Indian yoga guru known for his teaching of asanas, a disciple of Sivananda Saraswati, and founder of the International Sivananda Yoga Vedanta Centres and Ashrams (ISYVC). He established the Sivananda Yoga Teachers' Training Course, possibly the first yoga teacher training programs in the West. His books The Complete Illustrated Book of Yoga (1960) and Meditation and Mantras (1978) established him as an authority on Hatha and Raja yoga. Vishnudevananda was a peace activist who rode in several "peace flights" over places of conflict, including the Berlin Wall prior to German reunification. In 2007, his long-serving assistant, Julie Salter, reported sexual abuse against her by the guru; she published details of her experiences in 2019, leading at least 3 other women to report their experiences of similar abuse by Vishnudevananda. (Full article...)

    Vishnudevananda Saraswati (31 December 1927 – 9 November 1993, birth name Kuttan Nair) was an Indian yoga guru known for his teaching of asanas, a disciple of Sivananda Saraswati, and founder of the International Sivananda Yoga Vedanta Centres and Ashrams (ISYVC). He established the Sivananda Yoga Teachers' Training Course, possibly the first yoga teacher training programs in the West. His books The Complete Illustrated Book of Yoga (1960) and Meditation and Mantras (1978) established him as an authority on Hatha and Raja yoga. Vishnudevananda was a peace activist who rode in several "peace flights" over places of conflict, including the Berlin Wall prior to German reunification.

    In 2007, his long-serving assistant, Julie Salter, reported sexual abuse against her by the guru; she published details of her experiences in 2019, leading at least 3 other women to report their experiences of similar abuse by Vishnudevananda. (Full article...)
  • Image 15 Pathala Bhairavi (transl. The Goddess of the netherworld) is a 1951 Indian fantasy film directed by K. V. Reddy who co-wrote the film with Pingali and Kamalakara Kameswara Rao. Shot simultaneously in Telugu and Tamil languages, the film was produced by Nagi Reddi and Chakrapani under the banner Vijaya Productions. It stars N. T. Rama Rao, S. V. Ranga Rao and K. Malathi. The film focuses on a gardener's son who has to amass wealth equal to that of the king of Ujjain to marry his daughter and a sorcerer who has to sacrifice an intelligent and brave young man to Goddess Pathala Bhairavi to gain access to a statuette which can grant any wish. Pathala Bhairavi is based on Kasi Majilee Kathalu, written by Madhira Subbanna Deekshitulu, though it was also partially inspired by the story of Aladdin. As the film is shot as a bilingual, production lasted for a whole year starting from 5 February 1950 until 8 February 1951. Ghantasala composed the film's music and Marcus Bartley served as the cinematographer. The film was edited by the duo C. P. Jambulingam and M. S. Money, while Madhavapeddi Gokhale and Kaladhar were the film's art directors. (Full article...)
    Pathala Bhairavi (transl. The Goddess of the netherworld) is a 1951 Indian fantasy film directed by K. V. Reddy who co-wrote the film with Pingali and Kamalakara Kameswara Rao. Shot simultaneously in Telugu and Tamil languages, the film was produced by Nagi Reddi and Chakrapani under the banner Vijaya Productions. It stars N. T. Rama Rao, S. V. Ranga Rao and K. Malathi. The film focuses on a gardener's son who has to amass wealth equal to that of the king of Ujjain to marry his daughter and a sorcerer who has to sacrifice an intelligent and brave young man to Goddess Pathala Bhairavi to gain access to a statuette which can grant any wish.

    Pathala Bhairavi is based on Kasi Majilee Kathalu, written by Madhira Subbanna Deekshitulu, though it was also partially inspired by the story of Aladdin. As the film is shot as a bilingual, production lasted for a whole year starting from 5 February 1950 until 8 February 1951. Ghantasala composed the film's music and Marcus Bartley served as the cinematographer. The film was edited by the duo C. P. Jambulingam and M. S. Money, while Madhavapeddi Gokhale and Kaladhar were the film's art directors. (Full article...)
  • Image 16 Chak De! India (transl. Let's go! India) is a 2007 Indian sports film directed by Shimit Amin and produced by Aditya Chopra under the banner of Yash Raj Films. The film stars Shah Rukh Khan as Kabir Khan, former captain of the India men's national field hockey team. After a disastrous loss to Pakistan, Khan is ostracized from the sport owing to religious prejudice. 7 years later in an attempt to redeem himself, he becomes the coach of the Indian national women's hockey team, with the goal of turning its 16 contentious players into an award-winning team. Jaideep Sahni, a screenwriter, was inspired by the India women's national field hockey team's win at the 2002 Commonwealth Games to develop Chak De! India's script after reading about it in a newspaper. The screenplay was fictional and the characters, while inspired by the real team and coaches, were invented by Sahni. Kabir Khan's struggles bore resemblance to those faced by real-life hockey player Mir Ranjan Negi, although Sahni was unaware of Negi's tribulations while writing the script. On the suggestion of Maharaj Krishan Kaushik, then coach of the women's hockey team, Sahni invited Negi to join the film's production team. A combination of professional players and actors were cast as the sixteen team members; workshops were conducted for training the actors in hockey and the players in acting. Kaushik and Negi would train Sahni, Khan and the other cast members over a period of six months. The sports scenes were choreographed by Rob Miller, and the soundtrack was composed by Salim–Sulaiman, with lyrics written by Sahni. (Full article...)
    Chak De! India (transl. Let's go! India) is a 2007 Indian sports film directed by Shimit Amin and produced by Aditya Chopra under the banner of Yash Raj Films. The film stars Shah Rukh Khan as Kabir Khan, former captain of the India men's national field hockey team. After a disastrous loss to Pakistan, Khan is ostracized from the sport owing to religious prejudice. 7 years later in an attempt to redeem himself, he becomes the coach of the Indian national women's hockey team, with the goal of turning its 16 contentious players into an award-winning team.

    Jaideep Sahni, a screenwriter, was inspired by the India women's national field hockey team's win at the 2002 Commonwealth Games to develop Chak De! India's script after reading about it in a newspaper. The screenplay was fictional and the characters, while inspired by the real team and coaches, were invented by Sahni. Kabir Khan's struggles bore resemblance to those faced by real-life hockey player Mir Ranjan Negi, although Sahni was unaware of Negi's tribulations while writing the script. On the suggestion of Maharaj Krishan Kaushik, then coach of the women's hockey team, Sahni invited Negi to join the film's production team. A combination of professional players and actors were cast as the sixteen team members; workshops were conducted for training the actors in hockey and the players in acting. Kaushik and Negi would train Sahni, Khan and the other cast members over a period of six months. The sports scenes were choreographed by Rob Miller, and the soundtrack was composed by Salim–Sulaiman, with lyrics written by Sahni. (Full article...)
  • Image 17 Muthu (transl. Pearl) is a 1995 Indian Tamil-language masala film written and directed by K. S. Ravikumar, and produced by Kavithalayaa Productions. The film stars Rajinikanth and Meena, with Sarath Babu, Radha Ravi, Senthil, Vadivelu, Jayabharathi, Subhashri and Ponnambalam all acting in supporting roles. It is a remake of the Malayalam film Thenmavin Kombath (1994). The film revolves around a zamindar and his worker falling in love with the same woman who, unknown to the zamindar, loves the worker exclusively. After Rajinikanth narrated the outline of Thenmavin Kombath, he told Ravikumar to develop the screenplay of the remake without watching the original film. Although largely written to suit the tastes of Tamil-speaking audiences, the remake retains the core premise of the original, while adding new plot details and characters. Ashok Rajan acted as the film's cinematographer. Principal photography began in June 1995 and took place in Mysore, Madras and Kerala. The film was edited by K. Thanikachalam and the music composed by A. R. Rahman, with lyrics written by Vairamuthu. (Full article...)
    Muthu (transl. Pearl) is a 1995 Indian Tamil-language masala film written and directed by K. S. Ravikumar, and produced by Kavithalayaa Productions. The film stars Rajinikanth and Meena, with Sarath Babu, Radha Ravi, Senthil, Vadivelu, Jayabharathi, Subhashri and Ponnambalam all acting in supporting roles. It is a remake of the Malayalam film Thenmavin Kombath (1994). The film revolves around a zamindar and his worker falling in love with the same woman who, unknown to the zamindar, loves the worker exclusively.

    After Rajinikanth narrated the outline of Thenmavin Kombath, he told Ravikumar to develop the screenplay of the remake without watching the original film. Although largely written to suit the tastes of Tamil-speaking audiences, the remake retains the core premise of the original, while adding new plot details and characters. Ashok Rajan acted as the film's cinematographer. Principal photography began in June 1995 and took place in Mysore, Madras and Kerala. The film was edited by K. Thanikachalam and the music composed by A. R. Rahman, with lyrics written by Vairamuthu. (Full article...)
  • Image 18 Darjeeling The Mountain railways of India are the railway lines that were built in the mountainous regions of India. The term mainly includes the narrow-gauge railways in these regions but may also include some broad-gauge railways. Three of the lines, the Darjeeling Himalayan Railway, the Nilgiri Mountain Railway, and the Kalka–Shimla Railway, are collectively designated as a UNESCO World Heritage Site under the name "Mountain Railways of India". Two more, the Matheran Hill Railway and the Kangra Valley Railway, are on the tentative list of UNESCO World Heritage Sites. The Nilgiri Mountain Railway is also the only rack and pinion railway in India. (Full article...)

    Darjeeling

    The Mountain railways of India are the railway lines that were built in the mountainous regions of India. The term mainly includes the narrow-gauge railways in these regions but may also include some broad-gauge railways.

    Three of the lines, the Darjeeling Himalayan Railway, the Nilgiri Mountain Railway, and the Kalka–Shimla Railway, are collectively designated as a UNESCO World Heritage Site under the name "Mountain Railways of India". Two more, the Matheran Hill Railway and the Kangra Valley Railway, are on the tentative list of UNESCO World Heritage Sites. The Nilgiri Mountain Railway is also the only rack and pinion railway in India. (Full article...)
  • Image 19 Kazi Nazrul Islam in 1926, Chittagong Kazi Nazrul Islam (Bengali: কাজী নজরুল ইসলাম, pronounced [kad͡ʒi ˈnod͡ʒɾul islam] ⓘ; 24 May 1899 [11 Jaistha 1306 Bengali]– 29 August 1976) was a Bengali poet, short story writer, journalist, lyricist and musician. He is the national poet of Bangladesh. Nazrul produced a large body of poetry, music, messages, novels, and stories with themes, that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion. Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi" (Rebel Poet). His compositions form the avant-garde music genre of Nazrul Gīti (Music of Nazrul). Born into a Bengali Muslim Kazi family hailing from Churulia in Burdwan district in Bengal Presidency (now in West Bengal, India), Nazrul Islam received religious education and as a young man worked as a muezzin at a local mosque. He learned about poetry, drama, and literature while working with the rural theatrical group Leṭor Dôl, Leṭo being a folk song genre of West Bengal usually performed by the people from Muslim community of the region. He joined the British Indian Army in 1917 and was posted in Karachi. Nazrul Islam established himself as a journalist in Calcutta after the war ended. He criticised the British Raj and called for revolution through his famous poetic works, such as "Bidrohī" ('The Rebel') and "Bhangar Gan" ('The Song of Destruction'), as well as in his publication Dhūmketu ('The Comet'). His nationalist activism in Indian independence movement led to his frequent imprisonment by the colonial British authorities. While in prison, Nazrul Islam wrote the "Rajbôndīr Jôbanbôndī" ('Deposition of a Political Prisoner'). His writings greatly inspired Bengalis of East Pakistan during the Bangladesh Liberation War. (Full article...)

    Kazi Nazrul Islam in 1926, Chittagong

    Kazi Nazrul Islam (Bengali: কাজী নজরুল ইসলাম, pronounced [kad͡ʒi ˈnod͡ʒɾul islam] ⓘ; 24 May 1899 [11 Jaistha 1306 Bengali]– 29 August 1976) was a Bengali poet, short story writer, journalist, lyricist and musician. He is the national poet of Bangladesh. Nazrul produced a large body of poetry, music, messages, novels, and stories with themes, that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion. Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi" (Rebel Poet). His compositions form the avant-garde music genre of Nazrul Gīti (Music of Nazrul).

    Born into a Bengali Muslim Kazi family hailing from Churulia in Burdwan district in Bengal Presidency (now in West Bengal, India), Nazrul Islam received religious education and as a young man worked as a muezzin at a local mosque. He learned about poetry, drama, and literature while working with the rural theatrical group Leṭor Dôl, Leṭo being a folk song genre of West Bengal usually performed by the people from Muslim community of the region. He joined the British Indian Army in 1917 and was posted in Karachi. Nazrul Islam established himself as a journalist in Calcutta after the war ended. He criticised the British Raj and called for revolution through his famous poetic works, such as "Bidrohī" ('The Rebel') and "Bhangar Gan" ('The Song of Destruction'), as well as in his publication Dhūmketu ('The Comet'). His nationalist activism in Indian independence movement led to his frequent imprisonment by the colonial British authorities. While in prison, Nazrul Islam wrote the "Rajbôndīr Jôbanbôndī" ('Deposition of a Political Prisoner'). His writings greatly inspired Bengalis of East Pakistan during the Bangladesh Liberation War. (Full article...)
  • Image 20 Chopra in 2022 Parineeti Chopra (pronounced [pəriːniːt̪iː ˈtʃoːpɽaː]; born 22 October 1988) is an Indian actress and singer who primarily works in Hindi films. Chopra is a recipient of several accolades, including a Filmfare and a National Film Award. Chopra has appeared in Forbes India's Celebrity 100 list since 2013. After obtaining a triple honours degree in business, finance and economics from Manchester Business School, Chopra made her acting debut with the 2011 romantic comedy Ladies vs Ricky Bahl, winning the Filmfare Award for Best Female Debut. She followed it by garnering acclaim for her starring roles in the box-office hits Ishaqzaade (2012), Shuddh Desi Romance (2013) and Hasee Toh Phasee (2014). The first of these won her the National Film Award – Special Mention. This success was followed by a three-year hiatus and several poorly received films, with the exception of horror-comedy Golmaal Again (2017), and the war drama Kesari (2019), in which she had brief roles. Chopra then earned critical praise for her leading roles in the black comedy Sandeep Aur Pinky Faraar and the sports biopic Saina (both 2021). After playing a supporting role in the ensemble film Uunchai (2022), Chopra starred in the biographical drama Amar Singh Chamkila (2024). (Full article...)

    Chopra in 2022

    Parineeti Chopra (pronounced [pəriːniːt̪iː ˈtʃoːpɽaː]; born 22 October 1988) is an Indian actress and singer who primarily works in Hindi films. Chopra is a recipient of several accolades, including a Filmfare and a National Film Award. Chopra has appeared in Forbes India's Celebrity 100 list since 2013.

    After obtaining a triple honours degree in business, finance and economics from Manchester Business School, Chopra made her acting debut with the 2011 romantic comedy Ladies vs Ricky Bahl, winning the Filmfare Award for Best Female Debut. She followed it by garnering acclaim for her starring roles in the box-office hits Ishaqzaade (2012), Shuddh Desi Romance (2013) and Hasee Toh Phasee (2014). The first of these won her the National Film Award – Special Mention. This success was followed by a three-year hiatus and several poorly received films, with the exception of horror-comedy Golmaal Again (2017), and the war drama Kesari (2019), in which she had brief roles. Chopra then earned critical praise for her leading roles in the black comedy Sandeep Aur Pinky Faraar and the sports biopic Saina (both 2021). After playing a supporting role in the ensemble film Uunchai (2022), Chopra starred in the biographical drama Amar Singh Chamkila (2024). (Full article...)
  • Image 21 Tijori on the sets of Raja Natwarlal, 2014 Deepak Tijori (born 28 August 1961) is an Indian film director and actor who works in Bollywood and Gujarati films and is well known for his supporting roles in Aashiqui (1990), Khiladi (1992), Jo Jeeta Wohi Sikandar (1992), Kabhi Haan Kabhi Naa (1994), Ghulam (1998) and Baadshah (1999). He also starred as a lead actor in Pehla Nasha (1993). Tijori started his directing career with Oops! (2003), a film about male strippers. This was followed by Fareb (2005), Khamoshh... Khauff Ki Raat (2005), Tom, Dick, and Harry (2006) and Fox (2009). Thriller at 10 – Fareb, a TV mini-series produced by Tijori won the 2001 Indian Television Academy Awards in the category best mini-series. His recent directorial, Do Lafzon Ki Kahani, was released in the year 2016. (Full article...)

    Tijori on the sets of Raja Natwarlal, 2014

    Deepak Tijori (born 28 August 1961) is an Indian film director and actor who works in Bollywood and Gujarati films and is well known for his supporting roles in Aashiqui (1990), Khiladi (1992), Jo Jeeta Wohi Sikandar (1992), Kabhi Haan Kabhi Naa (1994), Ghulam (1998) and Baadshah (1999). He also starred as a lead actor in Pehla Nasha (1993). Tijori started his directing career with Oops! (2003), a film about male strippers. This was followed by Fareb (2005), Khamoshh... Khauff Ki Raat (2005), Tom, Dick, and Harry (2006) and Fox (2009). Thriller at 10 – Fareb, a TV mini-series produced by Tijori won the 2001 Indian Television Academy Awards in the category best mini-series. His recent directorial, Do Lafzon Ki Kahani, was released in the year 2016. (Full article...)
  • Image 22 Alchi Monastery Alchi Monastery (Tibetan: ཨ་ལྕི་ཆོས་འཁོར།) or Alchi Gompa (Tibetan: ཨ་ལྕི་དགོམ་པ།, also Alci) is a Tibetan Buddhist monastery, known more as a monastic complex (chos-'khor) of temples in Alchi village in the Leh District, under the Ladakh Autonomous Hill Development Council of the Ladakh Union Territory. The complex comprises four separate settlements in the Alchi village in the lower Ladakh region with monuments dated to different periods. Of these four hamlets, Alchi monastery is said to be the oldest and most famous. It is administered by the Likir Monastery. It is 60 west of Leh on Leh-Kargil Highway. Alchi is also part of the three villages (all in lower Ladakh region) which constitute the ‘Alchi group of monuments’; the other two villages adjoining Alchi are the Mangyu and Sumda Chun. The monuments in these three villages are stated to be of "unique style and workmanship’, but the Alchi monastic complex is the best known. (Full article...)

    Alchi Monastery

    Alchi Monastery (Tibetan: ཨ་ལྕི་ཆོས་འཁོར།) or Alchi Gompa (Tibetan: ཨ་ལྕི་དགོམ་པ།, also Alci) is a Tibetan Buddhist monastery, known more as a monastic complex (chos-'khor) of temples in Alchi village in the Leh District, under the Ladakh Autonomous Hill Development Council of the Ladakh Union Territory. The complex comprises four separate settlements in the Alchi village in the lower Ladakh region with monuments dated to different periods. Of these four hamlets, Alchi monastery is said to be the oldest and most famous. It is administered by the Likir Monastery. It is 60 west of Leh on Leh-Kargil Highway.

    Alchi is also part of the three villages (all in lower Ladakh region) which constitute the ‘Alchi group of monuments’; the other two villages adjoining Alchi are the Mangyu and Sumda Chun. The monuments in these three villages are stated to be of "unique style and workmanship’, but the Alchi monastic complex is the best known. (Full article...)
  • Image 23 A missed-call icon A missed call is a telephone call that is deliberately terminated by the caller before being answered by its intended recipient, in order to communicate a pre-agreed message. It is a form of one-bit messaging. Missed calls are common in emerging markets where mobile phones with limited outgoing calls are widely used; as the call is not actually completed and connected, it does not carry a cost to the caller, hence they can conserve their remaining prepaid credit. Specific patterns of consecutive missed calls have been developed in some countries to denote specific messages. Missed calls are also referred to in some parts of Africa as beeping, flashing in Nigeria, a flashcall in Pakistan, miskol in the Philippines and ring-cut in Sri Lanka. (Full article...)
    A blue phone handset icon lying horizontally in the center of the image with a reddish-orange arrow, the head at the left, bouncing diagonally off the top
    A missed-call icon

    A missed call is a telephone call that is deliberately terminated by the caller before being answered by its intended recipient, in order to communicate a pre-agreed message. It is a form of one-bit messaging.

    Missed calls are common in emerging markets where mobile phones with limited outgoing calls are widely used; as the call is not actually completed and connected, it does not carry a cost to the caller, hence they can conserve their remaining prepaid credit. Specific patterns of consecutive missed calls have been developed in some countries to denote specific messages. Missed calls are also referred to in some parts of Africa as beeping, flashing in Nigeria, a flashcall in Pakistan, miskol in the Philippines and ring-cut in Sri Lanka. (Full article...)
  • Image 24 Statue of Moggallana, depicting his dark skin color (blue, black) at Mahamevnawa Buddhist Monastery, Malabe, Sri Lanka. Maudgalyāyana (Pali: Moggallāna), also known as Mahāmaudgalyāyana or by his birth name Kolita, was one of the Buddha's closest disciples. Described as a contemporary of disciples such as Subhuti, Śāriputra (Pali: Sāriputta), and Mahākāśyapa (Pali: Mahākassapa), he is considered the second of the Buddha's two foremost male disciples, together with Śāriputra. Traditional accounts relate that Maudgalyāyana and Śāriputra become spiritual wanderers in their youth. After having searched for spiritual truth for a while, they come into contact with the Buddhist teaching through verses that have become widely known in the Buddhist world. Eventually they meet the Buddha himself and ordain as monks under him. Maudgalyāyana attains enlightenment shortly after that. Maudgalyayana and Śāriputra have a deep spiritual friendship. They are depicted in Buddhist art as the two disciples that accompany the Buddha, and they have complementing roles as teachers. As a teacher, Maudgalyayana is known for his psychic powers, and he is often depicted using these in his teaching methods. In many early Buddhist canons, Maudgalyāyana is instrumental in re-uniting the monastic community after Devadatta causes a schism. Furthermore, Maudgalyāyana is connected with accounts about the making of the first Buddha image. Maudgalyāyana dies at the age of eighty-four, killed through the efforts of a rival sect. This violent death is described in Buddhist scriptures as a result of Maudgalyāyana's karma of having killed his own parents in a previous life. (Full article...)

    Statue of Moggallana, depicting his dark skin color (blue, black) at Mahamevnawa Buddhist Monastery, Malabe, Sri Lanka.

    Maudgalyāyana (Pali: Moggallāna), also known as Mahāmaudgalyāyana or by his birth name Kolita, was one of the Buddha's closest disciples. Described as a contemporary of disciples such as Subhuti, Śāriputra (Pali: Sāriputta), and Mahākāśyapa (Pali: Mahākassapa), he is considered the second of the Buddha's two foremost male disciples, together with Śāriputra. Traditional accounts relate that Maudgalyāyana and Śāriputra become spiritual wanderers in their youth. After having searched for spiritual truth for a while, they come into contact with the Buddhist teaching through verses that have become widely known in the Buddhist world. Eventually they meet the Buddha himself and ordain as monks under him. Maudgalyāyana attains enlightenment shortly after that.

    Maudgalyayana and Śāriputra have a deep spiritual friendship. They are depicted in Buddhist art as the two disciples that accompany the Buddha, and they have complementing roles as teachers. As a teacher, Maudgalyayana is known for his psychic powers, and he is often depicted using these in his teaching methods. In many early Buddhist canons, Maudgalyāyana is instrumental in re-uniting the monastic community after Devadatta causes a schism. Furthermore, Maudgalyāyana is connected with accounts about the making of the first Buddha image. Maudgalyāyana dies at the age of eighty-four, killed through the efforts of a rival sect. This violent death is described in Buddhist scriptures as a result of Maudgalyāyana's karma of having killed his own parents in a previous life. (Full article...)
  • Image 25 Mayawati in 2016 Kumari Mayawati (born Kumari Mayawati Das; 15 January 1956) is an Indian politician who served as the 18th Chief Minister of Uttar Pradesh from 1995 to 1995, 1997 to 1997, 2002 to 2003 and from 2007 to 2012. She is the national president of the Bahujan Samaj Party (BSP), which focuses on a platform of social change for Bahujans, more commonly known as Other Backward Classes, Scheduled Castes and Scheduled Tribes as well as religious minorities since 2003. She had also served as a Member of Parliament, Rajya Sabha from 2012 to 2017 from Uttar Pradesh. Mayawati's rise from humble beginnings has been called a "miracle of democracy" by P. V. Narasimha Rao, former prime minister of India. In 1993, Kanshi Ram formed a coalition with the Samajwadi Party and Mayawati became the Chief Minister of Uttar Pradesh in 1995. She was the first female Scheduled Caste chief minister in India. In 1997 and in 2002 she was chief minister with outside support from the Bharatiya Janata Party (BJP), the second time only for a year up to 26 August 2003 due to BJP withdrawing support. Mayawati's tenure has attracted praise and criticism. Millions of Dalits across India popularly view her as an icon, and refer to her as Behen-ji (elder sister). She has been praised for her fundraising efforts on behalf of her party and her birthdays have been widely celebrated by her supporters. On the contrary, the rise in her personal wealth and that of her party have been criticised as indicative of corruption. (Full article...)

    Mayawati in 2016

    Kumari Mayawati (born Kumari Mayawati Das; 15 January 1956) is an Indian politician who served as the 18th Chief Minister of Uttar Pradesh from 1995 to 1995, 1997 to 1997, 2002 to 2003 and from 2007 to 2012. She is the national president of the Bahujan Samaj Party (BSP), which focuses on a platform of social change for Bahujans, more commonly known as Other Backward Classes, Scheduled Castes and Scheduled Tribes as well as religious minorities since 2003. She had also served as a Member of Parliament, Rajya Sabha from 2012 to 2017 from Uttar Pradesh. Mayawati's rise from humble beginnings has been called a "miracle of democracy" by P. V. Narasimha Rao, former prime minister of India. In 1993, Kanshi Ram formed a coalition with the Samajwadi Party and Mayawati became the Chief Minister of Uttar Pradesh in 1995. She was the first female Scheduled Caste chief minister in India. In 1997 and in 2002 she was chief minister with outside support from the Bharatiya Janata Party (BJP), the second time only for a year up to 26 August 2003 due to BJP withdrawing support.

    Mayawati's tenure has attracted praise and criticism. Millions of Dalits across India popularly view her as an icon, and refer to her as Behen-ji (elder sister). She has been praised for her fundraising efforts on behalf of her party and her birthdays have been widely celebrated by her supporters. On the contrary, the rise in her personal wealth and that of her party have been criticised as indicative of corruption. (Full article...)
More good articles

News

24 October 2024 – Insurgency in Jammu and Kashmir
Islamist insurgents target an Indian Army vehicle with small arms fire near Gulmarg, Jammu and Kashmir, India, killing two soldiers and two civilian porters and injuring three other soldiers. (The Indian Express)
23 October 2024 – China–India relations
Prime Minister of India Narendra Modi holds a bilateral meeting with President of China Xi Jinping on the sidelines of the 16th BRICS summit in Kazan, Russia. This is the first bilateral meeting between India and China in five years and comes in the aftermath of the 2020 border skirmishes between Indian and Chinese troops. (India Today)
21 October 2024 – Insurgency in Jammu and Kashmir
Seven people are killed and five others are injured in a mass shooting at a camp for construction workers near Sonamarg, Jammu and Kashmir, India. (Al Jazeera)
21 October 2024 – China–India relations
India and China reach a breakthrough in discussions on disengagement and border patrol along the disputed Line of Actual Control. (Zee News) (DW)
17 October 2024 –
A court in Bangladesh orders the arrest of former prime minister Sheikh Hasina and 45 others for crimes against humanity. Hasina is in exile in India. (AP)

Did you know...

Timeline of Indian history, Indus Valley Civilisation, Dholavira, Science and technology in ancient India, Meluhha, Aryan invasion theory, Out of India theory, Greek conquests in India, Indian maritime history, Maurya Empire, Ashoka, Shunga Empire, Hoysala Empire, Vijayanagara, Satavahana dynasty, Indo-Greek Kingdom, Indo-Scythians, Indo-Parthian Kingdom, Kushan Empire, Western Satraps, Gupta Empire, Chola dynasty, Pala Empire, Islamic incursions in India, Mughal Empire, Maratha Empire, British Raj, East India Company, Governor-General, Viceroy, War of Independence, 1857, Indian independence movement, Indian National Army, Azad Hind, Quit India Movement, Partition of India, History of Republic of India, Non-Aligned Movement, Sino-Indian War, Indo-Pakistani War of 1947–1948, Indo-Pakistani War of 1965, Indo-Pakistani War of 1971, Kargil War, 2001–02 India–Pakistan standoff, Military, Demographic

Law, Hindu law, Constitution, Political parties (Indian National Congress, Bharatiya Janata Party), Foreign relations, Elections, Political divisions, Reservation in India

Government agencies, Legislative branch (Lok Sabha, Rajya Sabha) Executive branch (President & Vice President, Prime Minister & Deputy Prime Minister, Cabinet Ministers, Cabinet Secretary, Election Commission, Foreign Minister; Law enforcement: CBI, CID, Intelligence: IB, RAW), Directorate General of Income Tax Investigation Judicial branch (Supreme Court), Armed Forces (Army, Navy, Air Force, Border Security Force, Coast Guard)

Himalayas, Western Ghats, Eastern Ghats, Indo-Gangetic Plain, Deccan Plateau, Thar Desert, Ganges, Rann of Kutch, Brahmaputra River, Northeast India; Mountains, Valleys, Islands, Rivers; States and union territories, Cities, Districts, Regions, Fauna, Flora

Rupee, Bombay Stock Exchange, National Stock Exchange, Standard of living, Companies, Reserve Bank of India, Energy policy (Solar, Wind, Nuclear), Tourism, Transport (Expressways, Rail transport, Auto rickshaw),

Languages, Standard of living, Religion

Music (Carnatic, Hindustani, Indi-pop), Dance, Languages, Literature, Architecture, Film & TV, Cuisine, Holidays, Folklore, Education, Media, Indian martial arts

Indian Council of Agricultural Research (ICAR), Indian Institute of Astrophysics, National Centre for Software Technology, AIIMS, IISc, IIT, NIT, BITS-Pilani, INRegistry, Indian numbering system, Indian Space Research Organisation, National Internet Exchange of India, ICRISAT, International Institute of Information Technology, Hyderabad

Other

Indian English, Indian nationality law, Numbering system, Indian Space Research Organisation, Telecommunications, National Highways Development Project, Flag, Vehicle registration plates, Indian nationalism, Metrication in India

Outline of Indian topics ...

Categories

Category puzzle
Category puzzle
Select [►] to view subcategories
India
India-related lists
Buildings and structures in India
Culture of India
Economy of India
Education in India
Environment of India
Geography of India
Government of India
Health in India
History of India
Organisations based in India
Indian people
Politics of India
Society of India
Images of India
India stubs

Religions in India

Indian Subcontinent

Other countries

Wikipedias in Indian languages

Associated Wikimedia

The following Wikimedia Foundation sister projects provide more on this subject:

Discover Wikipedia using portals
Retrieved from "https://en.wikipedia.org/w/index.php?title=Portal:India&oldid=1246080393"